Mary Corse

This is at the Getty now. It’s way more beautiful than you think. Go see it!
Giuseppe Penone


Went to Art Gallery of Ontario and happened upon this.

Here he is seen working on Versailles Cedar, 2000-2003 currently installed in Galleria Italia. Penone arrives at these forms by carving the tree trunk leaving the knots in place until they emerge as limbs, revealing the sapling within.
Yayoi Kusama | 草間彌生 - No. D. Huile sur toile, 89,9x72,4cm (1959)
Scan from Centre Pompidou exhibition catalogue
reblogged from artchipel
reblogged from fuckyeahtheuniverse

Song: Graveyard - Feist
I forgot to mention..
… my paintings are on display at Southlands Church Gallery in Brea! Check it out :)

Illustration of Empyrean by Gustove Dore for Dante’s Divine Comedy
“In old cosmologies the stars were sometimes seen as pinholes in the curtain of the night sky, through which glimpses of a brighter, heavenly world are received; thus, according to Kant, the French scientist Maupertuis interpreted the nebulae as openings in the firmament, through which the empyrean is seen.” - Rudolf Arnheim in Art and Visual Perception
Frida Kahlo, What I Saw in the Water or What the Water Gave Me
Song: What the Water Gave Me: Florence and the Machine
reblogged from tessahhh
Spencer Finch pays tribute to the great American poet Emily Dickinson in his art installation, “366 (Emily’s Miraculous Year)“. He set up 366 colored candles in a spiraled form, and each color corresponds to a Dickinson poem that was written in 1862– the miraculous year where she wrote 366 poems in 365 days. The poems each mention a color, and that color is transformed into a candle in Finch’s work, to burn for 24 hours one after another.
reblogged from smleaden


